For years, Stephen Cognetti has operated in the found footage subgenre, as the writer, director, and creator of the popular Hell House LCC series. Now, he’s stepping away from that franchise, at least temporarily, for 825 Forest Road, which streams on Shudder beginning April 4 as part of the network’s Halfway to Halloween celebration. The film stars Joe Falcone as Chuck Wilson, who, after a family tragedy, moves to the sleepy town of Ashland Falls with his little sister, Isabelle (Kathryn Miller), and his wife, Maria (Elizabeth Vermilyea). Yet, as the family soon finds out, the town harbors a dark secret.
We spoke with Cognetti about crafting a narrative feature, haunted locations, and the intrigue of small town America. This interview was edited slightly for clarity.
What was your experience like transitioning from the found footage genre to more traditional narrative storytelling?
Stephen Cognetti: It was a great transition for me to leave found footage behind. I shot this right after Hell House 3. It was in between Hell House 3 and Hell House: Origins, so this happened between two found footage films. It was great to step away from found footage and do a traditional narrative. That’s the style of filmmaking I like doing in production, but I also love found footage horror, as a consumer of it and making it as well. I had fun making the Hell House movies, and I have fun watching found footage movies myself. But I had already done three found footage movies and I wanted to do something else. It’s a specific kind of filmmaking. It’s fun to do, but it’s not a kind of filmmaking to always live in. It’s good to try other styles of filmmaking.
The film also includes an element of influencer culture and livestreaming through Maria’s character. Can you comment on that aspect of the film?
Stephen Cognetti: That was just organic in the writing. It was nothing intentional. I explore characters and what they do. I write out things that happen in their world and how they react. It was fun with Maria’s character. I went to the white board and imagined what I could do with her character. It was fun to brainstorm. We see Maria late, when things start to escalate. Maria’s story is where things come in heavier regarding what’s going on in the house.
How did you come up with the mythos surrounding Helen Foster and her ghost? Is she based on any specific local folklore?
Stephen Cognetti: She, specifically, is not based on any folklore. The whole story is based on any small town America folklore. I left New York City and moved to a small town in the Scranton [Pennsylvania] area. This town has its history. Everyone I met always had a story to tell about the town’s history. I imagined, what if one of these stories is about a ghost? I wanted to create my own fictional small town folklore and small town legend. What if it wasn’t a legend but something still affecting the town to this day? If you talked about it, you’d talk about it while looking over your shoulder because you don’t want to bring too much attention to yourself by talking too much about it. If you talk about it to a newbie, it’s a secret warning.
The truth of it came from my own move from New York City to small town Pennsylvania and learning about the history. It didn’t have any ghosts in it, so I created my own.
The idea of locations with haunted histories factors heavily in this film and even the Hell House series. Can you comment on that aspect of your work?
Stephen Cognetti: I can’t actually answer that because I think it’s organic and comes with each story. I’m a history guy. I love history. I was a film major and history minor in college. I took every history class that I could. I love history as a story. There might be, in the back of my head, a story that derives from some place. I think that goes to Hell House and 825 as well, along with films coming up in the pipeline that haven’t been announced yet. It’s always been of interest to me. I don’t know why that is, other than I have a love of history itself.
Speaking of small towns, you filmed this in Jim Thorpe, PA. For anyone who’s never been there, it looks like a Victorian town. What factored into your decision to film there?
Stephen Cognetti: I started exploring towns all around Northeastern Pennsylvania, Southeastern Pennsylvania, Central Pennsylvania, and everywhere. I drove into New York, too. I spent a lot of time driving. Jim Thorpe had a bit of everything. It already had that whole look, that look like it has history. Every building looks like that. The town is cool. The people are great, and it’s a good town to shoot in. It was accessible for me and everyone working on the film coming in from New York. It fit the accessibility, and it had the look.
825 Forest Road is also about loss and family dynamics. Can you touch upon the relationships in this film, especially between Chuck and his sister Isabelle?
Stephen Cognetti: I think Chuck starts out as a sympathetic character and a central character in the film. That’s how the first act is presented to us. As the film goes on, especially as we see Isabelle and Maria’s stories, Chuck can be considered an antagonist in this. He’s not actually any hero at all. I love that development of him and when you see him from a different perspective than his own. When you see him from a different perspective, he’s aloof and has a poor way of dealing with people going through something. I think everyone knows a person like that. Chuck is the kind of person that’s only there to lend very broad support but doesn’t understand it. He thinks he does, but he doesn’t really understand it. Therefore, he can’t really offer any help. He thinks he knows everything. When you see Chuck in other perspectives, you see he’s not the guy presented in the first act. His personality has a lot of flaws.
Anything else about the film that you’d like to add?
Stephen Cognetti: I’m really grateful that Shudder brought 825 into their lineup and their Halfway to Halloween lineup. It’s always an honor to have anything on Shudder. I continue to be in awe that Shudder wants to have a part with our films, not just Hell House, but 825 as well. Now that we’re on Shudder, I’m so excited that the cast and the crew, of a film we shot years ago, will finally get to see the rewards of their work. They put so much effort into this back in 2021. I’m so excited for them to check it out. I’m also excited for fans of horror to check it out. It’s a haunted house tale told in a different way.
825 Forest Road haunts Shudder beginning Friday, April 4 as part of their Halfway to Halloween celebration.