It seems these days that our political divides are deeper than ever. The “aisle” we used to try to reach across is more like a moat — or in some cases, an ocean. Human rights violations are masked as partisan decision making, party lines override morality, and none of us are getting what we want. I know that I often think, how could it get worse? How could we be more violated? SAFE STATES explores exactly how. 

SAFE STATES explores a hypothetical future that seems simultaneously unfathomable and too close to home. Pregnant women have their rights eliminated to nearly nothing, and now aren’t even able to travel without express written documentation by the father of the baby. Human trafficking and underground escorting has become something like self defense for women with unwanted pregnancies, let alone women who want any body autonomy.

This entire film takes place in the familiar comfort of a roadside diner. It’s not clear to us exactly what the story of our lead characters is, just that they’re part of the mess surrounding them. News stories blare over the television about court cases, protests, and law changes. There are only a few remaining safe states for women, and the goal is to get Allie (Maggie Hutchinson) there. Lizzy (Sarah McGuire) and Kyle (Chris Bylsma) are part of an underground railroad of sorts, and drill Allie on the alibi she’ll give if they’re caught. The fear in all three performances is beyond visceral – tears well in their eyes and they swallow hard, as they try to act as casually and normally as possible. Unfortunately, in such dark times, even the most familiar of places isn’t safe.

SAFE STATES makes the most of its short runtime, and packs an immense gut punch of reality. In our current climate the possibility of this horrible future is too real, and too close. SAFE STATES absolutely, no holds barred, puts our fears out on screen. It may not be a horror film, but the true horror behind SAFE STATES is something we could all have to face.

8.5/10 stars