In this reinterpretation of classic campfire tales, a fabled local legend comes to life that challenges a group of campers to reevaluate their understanding of reality. Is this film all fluff, not the right stuff?

Directed by Daniel DelPurgatorio, it’s set in Carroll County, Kentucky, a visually stunning natural landscape that enhances the narrative’s thematic elements.

It’s noteworthy that certain dream sequences may come across as awkwardly edited, leading to moments I found more confusing rather than insightful.

The practical effects are fantastic, too. Certainly a highlight because how certain truly horrifying circumstances.

Written by Andy Greskoviak, the slow boil plot focuses on family drama and the drama between campers before getting to the main focus of the script. This sort of pacing, which centres on character development, is a crucial foundation for the plot as the story transitions to the summer camp, but it comes across as too tedious because of how slow it is.

Upon the campers’ settling in, the narrative shifts, amplifying the horror elements. Halfway through, the pace picks up nicely! There are a couple of good jump scares, but they aren’t overused.

The mystery regarding a conspiracy serves as an engaging plot thread, The unfolding secrets prompt both characters and viewers to consider the true nature of the camp and the complexities of its hidden history. The inquiry into how deep this conspiracy runs adds a layer of intrigue, encouraging audience engagement and reflection on underlying themes.

Whether intentional or not, the storyline bears a striking resemblance to a certain origin tale, highlighting the challenges faced by a boy dealing with bullying at camp and a near-drowning incident in a crystal lake. Wait… what day does this story take place again?

In all seriousness, this element introduces a poignant reflection on childhood experiences and fears, elevating the film beyond standard summer camp narratives.

Kue Lawrence is Morgan, the main protagonist. The other campers include Kai Cech as Pilar, Miya Cech as May, Max Malas as Dirk, Sutton Johnson as CJ, and Winston Vengapally as Raj. The ensemble cast demonstrates impeccable, commendable chemistry, which enriches their interactions with authenticity. I did care about the fate of the kids as time went on. Lawrence, especially, shines as he effortlessly carries the film. I look forward to his future career.

The camp counsellors were played by Giorgia Whigham as Rachel, Pierson Fodé as Kaszwar, Paul Soter as Collins, and Maxwell Whittington-Cooper as Franklin. They all fill their respective roles well filling the film with comedic relief and being more dramatic when required.

Corbin Bernsen is Roy, Morgan’s grandfather. It was obvious he had fun playing the part because of his immensely infectious energy.

Overall, the film attempts to blend suspense, emotional depth, and horror, but it struggles with pacing issues. The narrative touches on themes of adult/ childhood fears and bullying but lacks emotional resonance. I appreciate the ability to effectively subvert expectations as the plot develops. The use of practical effects for the gore is impressively executed, reflecting a commendable level of creativity and technical skill. Additionally, the film incorporates well-placed jump scares that enhance tension without feeling cheap or random.

I can’t get over how it had a bit of a “Jason” origin story vibe, with a storyline about a kid facing bullying at summer camp and a near-drowning incident. What if this was secretly a Friday the 13th prequel that was revealed until the final scene? That would’ve been a great twist ending, a la Split or Final Destination 5.

The conclusion is too vague. With its intriguing premise, it falls short in execution for those who love classic campfire narratives. And remember, if it’s not Friday the 13th, it’s just another day at summer camp.