The second annual Killer Shorts Horror Short Screenplay Competition is accepting entries from July 1st, 2020. This is the perfect opportunity to sit, write, and scare the living crap out of the judges.

The Screenwriters Network partnered with literary managers, producers and executives to unearth the next visionary talent in horror. The Top 10 scripts will be read by a star-studded panel of industry judges, with a further combined $5,000 worth of prizes up for grabs including copies of Final Draft screenwriting software, waived entry fees to multiple screenwriting contests, increased rank on Coverfly’s The Red List, free subscriptions to on-demand horror streaming service Shudder, and more.

After the top 10 finalists are chosen a small jury of industry luminaries will select the winner include: Julian Terry (Whisper, They Hear It, The Nurse), Chelsea Lupkin (Short of the Week, Lucy’s Tale), Barbara Crampton (Re-Animator, From Beyond, You’re Next), Joe Bob Briggs (The Last Drive-In with Joe Bob Briggs), Scott Stoops (Good Fear Film + Management), Glenn Cockburn (Meridian Artists), Sophie Carroll, Scott Carr (Management SGC), Jason Tamasco (Bad Idea Films), John Zaozirny (Bellevue Productions), Krista Sipp (First Friday Entertainment), and Jenn Wexler (The Ranger).

The success story behind proof-of-concept shorts is well known. Feature films such as “Lights Out”,  “Mama”, “District 9” and “The Babadook” all originated as proof-of-concept shorts. Recent shorts “Whisper” (Julian Terry), “Bedtime Story” (Lucas Paulino and Ángel Torres), “Meet Jimmy” (David-Jan Bronsgeest and Tim Koomen), “The Blue Door” (Megan Pugh and Ben Clark), and “Larry” (now titled “Come Play”, from Jacob Chase), have since been discovered by major studios and are now in development as features.

“We’re looking for writers ready to take the next step in their career” said Alison Parker, Contest Director and founder of The Screenwriters Network. “Savvy writers will get a head start on a feature version of their short, so that if they end up speaking with a literary manager they’re in the best possible position to sign.”

In a very refreshing move, Killer Shorts proudly works alongside female-led film groups to provide heavy discounts for submissions to their female-identifying and non-binary writers. “In Season 2 we are focused on providing even more opportunities for women and POC,” says Alison Parker, “We hope that by being proactive, we will see more female-identifying and non-binary writers, as well as people of color, represented in our list of finalists in 2021.”

What are the judges looking for? Alison responds, “Give us something we haven’t seen before. We received 765 submissions in Season 1. We read a lot of werewolves, vampires, serial killers, and zombies. There must be something unique about your story and how you tell it. Whether that’s how the killer kills, a location we’ve never seen before, a new type of monster, or a strange point of view, push yourself to be different and give us something new.”

Entry fees start at $20 for ‘Early Bird’ entries submitted by September 1 2020, with a final deadline of December 15, 2020. VIP members of The Screenwriters Network can enter for free. Entries can be submitted via Coverfly, FilmFreeway or ISA Network.

For more information, including further information on the judges, full details on qualifying criteria, competition rules and deadlines visit: KillerShortsContest.com