If you've followed Bruce LaBruce from the beginning, you can probably predict one of a few things right off the bat: there's going to be a fetish element, male nudity, queerness, and a shaved head. And if you're really been paying attention, you'll be watching for references to classic film, punk, mythology and music. Sainte-Narcisse [...]

Halfway through the Midsummer Scream Screaming Room (presented by HorrorBuzz!) Award Ceremony a few weeks ago, the lights darkened, and a music video began to play. As a sort of “half time show,” it was for the song Zombie Boy, an incredibly catchy tune by MR. HE, one of the co-hosts for the evening. MR. [...]

Bruce McDonald, director of the new indie neo-noir jazz assassin film Dreamland, joined us to talk about how all that weirdness came to be. Scix Maddix: Hello. Bruce McDonald: How are you? Scix: I'm doing great. So let's talk about Dreamland! Bruce: Yeah, man! Scix: First, let me start by saying I really loved Pontypool [...]

I received a call from Glenn Payne and Casey Dillard, the director and writer-star of Driven (respectively). They were both on a speakerphone. We discussed their film, but on the way explored work experience, freezing cold, improv, and failure. Scix Maddix: Well, let's talk about Driven! Actually, since you're both there in the same room [...]

I called Ronen Landa, composer for 1BR, at his home in LA to discuss how he went about scoring the film and about film scoring in general. Scix: Hello, Ronen. Ronen: Hello, how are you? Scix: I'm doing good, all things considered. So, how did you wind up with 1BR? Ronen: I got involved with [...]

One of the amazing gifts of modern technology is that in times of social distancing, we are still able to correspond and connect. Over their separate tech devices and wifi routers, Miranda Riddle and Michael Reich had a conversation about SHE'S ALLERGIC TO CATS. HorrorBuzz: First and foremost I want to of course thank you [...]

The Invisible Man is nothing new. A quick search on IMDB yields 200 different title variations in film and television alone. In fact, when Universal Pictures adapted H.G. Wells novel to film in 1933, the idea of an invisible villain had already graced the screen over two decades before. Still, the Universal Monster became an [...]